The Deerubbun is seen here departing on a tour from Circular Quay, with the Sydney Opera House in the background. This former torpedo recovery vessel is owned by the Tribal Warrior Association, a charity that trains young people for careers in the maritime industry. The tours by Tribal Warrior Harbour Cruises teach tourists the Aboriginal names and meanings of significant Sydney landmarks. The stories of the Eora, Cadigal, Guringai, Wangal, Gammeraigal and Wallumedegal people are told and an Aboriginal cultural performance takes place on an island in Sydney Harbour.
circular quay
These Sydney Ferries were captured in action arriving towards and departing from Circular Quay, just before passing each other in front of the Sydney Opera House. They are a First Fleet Class ferry arriving and a SuperCat Class ferry departing.Click here to view thumbnails for all participants of this theme day
This small road bridge at The Rocks carries Elevated Road from Hickson Road to the Overseas Passenger Terminal at Circular Quay. The road is glistening at night after a rain shower with the Australian Steamship Navigation Company building on the left and another redeveloped warehouse building in the background.
This ferry wharf, on the southern side of the Parramatta River, serves the western suburb of Parramatta. A regular service is provided by RiverCat ferries on the Parramatta River route between here and Circular Quay. It is the farthest point of travel for Sydney Ferries on the river route, since a weir next to it prevents further travel upstream.
The AMP Building is a skyscraper in Alfred Street, close to Circular Quay. This was Sydney’s first highrise to take advantage of the lifting of the 46 metre (150 feet) height limit which was enforced until 1957. Built in 1962, it is 115 metres tall and dominated the city’s skyline for many years. It originally had a rooftop observation deck at 106 metres high.
The historic Moore Stairs link Macquarie Street with the Circular Quay foreshore, between two blocks of Bennelong Apartments. “Hopscotch” by Germany’s Fiona Venn and Reinhard Germar was an interactive installation for the Vivid Sydney festival. People were able to hop up and down the stairs and create a rainbow at night that displayed the full colour spectrum of light from violet blue to deep red. Precise switching and the latest sensor technology saved energy by providing light only where it was needed but also proved a challenge to photograph as many colours as possible.
This interactive lighting installation was located in First Fleet Park at The Rocks, near Circular Quay, during the Vivid Sydney festival. “Immersion” was created by Australia’s Martin Bevz and Kathryn Clifton. People were able to move around the LED tube lighting, reflecting their movement through the installation via a live video relay of still and dynamic images.