This heritage building lit up for the Vivid Sydney festival was the Officers House in colonial days. The “Officers House” design was created by Vessi Ivanova and Thomas Stevens from Australia. The building was painted with dynamic light colours inside and outside, which constantly changed.
Rocks
This row of heritage terrace houses in George Street at The Rocks was lit up for the Vivid Sydney festival. “The Georges” was a design by Gordon Watson, using waves of colour to highlight both the diversity of the residents who lived here over the years and the ever changing population as older residents move on and new dwellers arrive.
These artworks, located around Circular Quay and at The Rocks, were part of the Vivid Sydney festival. “Light Wave Action” (top)was designed by Haron Robson’s lightmatters team in Australia in collaboration with Bow Jaruwangsanti from Thailand, Kristy Philp from Fiji, Christa Van Zoeren from the Netherlands. Visitors could wander through this wave-like sculpture for a multi-sensory experience, inspired by nature, reflecting the subtle colour of twilight skies and paying homage to the sea – representing nature’s power in the movement and formation of waves. “School” (bottom) designed by Jon Voss of Australia was a large group of fish seemingly swimming in a continuous circle of variable light through the limbs of a tree. Each fish gives off a soft glow intensified by the rough-cut edges of its skeletal form. Individually, they emit a low light but together as a school, the light is intensified. It imitates the shimmering light and movement of schooling fish but floating here in an urban environment.
These artworks, located around Circular Quay and at The Rocks, were part of the Vivid Sydney festival. “Melody” (top) was created by Singapore’s Sun Yu-Li. This free flowing ribbon form, beams light from inside its perforated stainless steel sculptural frame. It implies the rhyme of Sydney Harbour in Circular Quay and the music emanating from the Sydney Opera House as part of the magical precinct you are located in. “aLf” or “artificial Light form” (bottom) was created by Australia’s Victoria Bolton, Kim Nguyen Ngoc, Catherine Kuok, Guy Hanson. It is described as an artificial biomorphic entity that glows when you physically interact with him. He sleeps with a subdued blue pulse when he feels alone and when awakened by your presence engages in a visual conversation with a boisterous red pulse.
These artworks, located along Argyle Street at The Rocks and Millers Point, are part of the Vivid Sydney festival. “Web of Light” (top) created by Ruth McDermott and Ben Baxter hangs above two buildings at the entrance to Cambridge Street. It highlights the beauty and mystery of a spider’s web using around 1000 chandelier crystals to refract natural and artificial light to mimic water droplets on a web. “Eye See You” (bottom) created by German artist Zymryte Hoxhaj is located in front of the cliffs of Observatory Hill. Coloured lights reflect off more than 300 handmade, printed puppets who watch you with their giant eye.
This lighting design artwork is hanging above Rocks Square, just off Playfair Street at the Rocks, as part of the Vivid Sydney festival. “Illuminate”, created by Daniel Mercer and Richard Neville, with highly efficient light sources using less power than the existing lights normally in the square. The 140 hanging tubes filled with individually controllable LEDs produce 9000 pixels of light, lighting the space with continuously changing colours and patterns.
Cadman’s Cottage, was one of the heritage buildings that was lit up for the Vivid Sydney festival. The colourful and playful display of lights on the exterior of this museum, called “Cadman’s Playground”, was created by Steve Furzey and Kam Dahtt.